#i mean at this point its become tradition.

[tea-and-secrets]

i think my favorite sport is turning me into a masochist LOL, my friends will know who this is but idc, its mostly a joke but like not entirely?

so basically, i do aerial silks. i started around 6 months ago (most likely 8 when this is posted) after spending ~7 YEARS in a very inactive, mostly sedentary lifestyle due to some health conditions (physical and mental) that made it very hard to get motivation to do any exercise. however, i’d ALWAYS wanted to so something like aerial silks or pole dancing etc because it looked so pretty and fun, and my mom recently found a place that does classes.

when first starting, it was genuinely agony. like i couldn’t do any of the moves because the sheer pressure on my limbs was so much that i couldn’t go upside-down for more than a few seconds. however, for some godforsaken reason (/lighthearted) i decided to stick with it, and over time it stopped hurting, and i started building some muscle! it took weeks to start being able to do the simplest things (ie. diaper pose), but now i can do them easily.

well anyways, to get to the point, ive been very much recently finding myself obsessing over it. not in an unhealthy “i need to improve myself” way but in a “i love how this makes me feel” kind of way. and one of the things ive found i really like about it is the pain that it gives—again, i dont mean in a self-harm way, but in the satisfied endorphins and sore muscles kind of way. it just feels so good when the lesson ends and all my joints are loose and achy.

and yeah lol, ive started to associate that kind of pain and aching and stretched muscles with the good feeling that aerial silks gives me, and i love doing it. it’s such a lovely sport, and is so satisfying, and im starting to think that those associations are turning me into some sort of masochist LMFAO

i love doing it, i love lying upside down and letting my spine decompress, and stretching my limbs and letting myself go weightless in the silks, and the ache of my core when i pull myself up into a diaper climb, and the way my calf muscles have become so strong after months of hard work.

anyways i guess the lesson is that if traditional exercise isnt for you, try alternative exercise!! things like aerial silks, rebounding, bungee fitness, etc, because at least for me the issue was largely mental because traditional exercise didn’t give me the dopamine to keep at it and this new kind is! and of course it isnt for everyone, however i will say that as a fairly fat person myself aerial silks is actually quite accessible. a rigging can (or should be able to) hold 700+ pounds, and because of the extra weight you end up gaining quite a lot of muscle because you have to put in more work to pull yourself up (same reason why fat people often have VERY strong calves, because walking takes more energy than for someone who weighs less)

i just. really love the classes, i love the teachers, and i love seeing all the regulars, and having people who know my name and smile when they see me feels so good. idk, im a lot happier now, i can focus better on schoolwork, and im mad that my mom was right and that exercise DOES make you feel good lol. a lot of that stuff is due to being on medications that help me with my conditions but the exertion of silks definitely helps as well.

er, ted talk over, anyways! highly highly recommend aerial silks, it hurts like hell but if you’re crazy like me you’ll start to like it LMFAO, have a good day

.

[greenerteacups]

Andromeda was always one of the most fascinating characters for me, and I've been sitting on a fic about her for more than 10 years. I think I've sent you an ask about JKR disliking Andromeda recently? She is on my mind.

So I like Ted and Andromeda, but that's my romantic side talking. I've always liked the myth of Andromeda and Perseus, and the feeling that her name is supposed to evoke along with some limited information about how she felt about the Blacks and probably Voldemort.

But I agree about eligeble bachelorettes, it IS strange! I've always imagined Ted being VERY hot and very successful so that it doesn't feel weird, but jkr of course wouldn't have written it like that

Andromeda's name is really interesting — all of the purebloods, but especially the Blacks, have names chosen deliberately: Sirius is the "dog star," Regulus means "little prince" (also its Greek equivalent is Basiliskos, interestingly), Bellatrix is "female warrior"; and "Draco" is a neat union of his mother and father's traditions, being both a name from classical antiquity and a constellation. (Interestingly, "Scorpius" is a Black name, not a Malfoy one. I wonder what becomes of Draco's relationship with his father after the war?)

But Andromeda denotes a much softer character than "Bellatrix" and "Narcissa." It specifically evokes a passive victim of sacrifice, and someone who was chosen unjustly to suffer for her beauty. The reason the monster's there in the first place is Andromeda's mother, Cassiopeia, pisses off the gods by bragging that Andromeda is more beautiful than Poseidon's kids. And then she decides, after the sea monster Cetus shows up, that she needs to kill Andromeda to appease Poseidon. At which point Perseus, Andromeda's future husband, finally intervenes to save her.

I think that's a fascinating hint about Andy's relationship with her mother.

[ohlookitsgeorge]

It's me, I'm bitches.

[thepromisedbride]

i don’t talk about bridgerton on here but just to clarify. i will not be having ANY eloise hate on this account. i will bite.

[moe-broey]

Idk if I'm gonna be able to articulate this on the fly like first thing in the morning, but. I think my ENTIRE body of work is This: Examining how family ties, bonds or lack thereof, the good and bad AND ugly, seep into every facet of who we are and how we come to interact with others. How sometimes, a family tie (or again, a Lack of one), will sometimes bleed into how you act and treat specific people. Will bleed into how you CONNECT with those people (or, will be the very reason you fail to do so).

HOWEVER. HOWEVER. THERE IS A DELICATE LINE. A BALANCING ACT. You CANNOT just simply attribute fanon flavored ideas of found family to such characters. That's too simple, and sometimes, is a complete disservice to the specific character you're working with. I am once again bringing up Chilchuck. YES, him being a dad Absolutely seeps into how he treats his party. But if you call him the party's dad, you're Insane. Do you know ANYTHING ABOUT THAT MAN???? He would prefer you didn't. But I digress. He strikes a fascinating balance, between having The Qualities and ESPECIALLY expressing his care for his party in a Really Specific divorced (separated.) father of three fashion, but that does Not make him a "dad friend". He's a professional. He's on business. He's going home at the end of the day, and at the end of this adventure he's thinking of setting up a shop. I wanted to keep this more vague and broad but like. The Chilchuck example REALLY DOES perfectly articulate What I'm trying to get at, here. He's the perfect encapsulation of How his family shapes him, how that bleeds into his relationships with others, vs Who he is as a person.

How we were raised, our family ties, whether you adhere to it or you've fallen FAR from the tree -- you still fell from that stupid fucking tree. It's in your blood. Literally. It gave you shape, whether you liked it or not. And sometimes some things just set off weird domino effects, that also affect us irrevocably forever.

WHICH IS. TO SAY. I have no fucking idea what I'm talking about. I'm always trying to figure that out. Found family is/can be real, you're not strictly bound by blood if you don't wanna be. BUT. The bullshit I'm constantly on, is trying to figure out how to balance all that without slotting everyone into reductive roles. I'm gay and I seek to destroy the nuclear family. Not attempt to recreate nuclear family 2.0. You CAN reconstruct What Family Is/Means from the ground up, but you have to accept that things are going to get Weird. Because you're Queer. You are fundamentally incompatible with the status quo and normalcy, the solution is NOT assimilation and palatability, the solution is to just. Get weirder. And be fluent in canon. Okay. I love you

[theriverdalereviewer]

just finished reading this book called the list by siobhan vivian and you know what I recommend even though I found the ending to be lackluster

[batboyblog]

Copy Right and Public Domain in 2025!

It's January 1st 2025 which means it's my favorite unsung holiday! Public Domain Day! This is the day once a year when, in the US, copyrights expire and things enter the public domain, meaning they belong to everyone! even you, Steve!

American copyright for books, movies, art work, and musical compositions (but not recordings, more on that later) runs for 95 years (way too long!) so today works published in 1929 join us in the public domain.

So whats free? so glad you asked.

Popeye the Sailor Man

Many people assume Popeye originated as a cartoon character but thats not true, he comes from a comic strip. The strip was called Thimble Theatre and Popeye was something of a late addition. Thimble Theatre was first published in 1919, so Popeye's girlfriend Olive Oyl has been in the public domain since before the big 20 year copyright freeze of 1998-2019. Popeye first appeared as a minor character 10 years into the strip's run but was so popular he soon took over and the strip would be renamed Popeye less than 5 years later. Now as always whats public is only what appears in 1929, later developments, remain copyrighted. Such as, while Popeye always had super strength its not till 1932 his superpowers were tied to eating spinach, and Olive Oyl originally had a different boyfriend named Ham Gravy, who she dumped for Popeye when he became the main character. It looks like Popeye is following tradition for famous now public domain characters and getting a quicky horror movie this year.

Tintin!

This is personally very exciting as someone who grew up with the Belgian boy detective. Like Popeye I expect a lot of people don't know that Tintin started off as a weekly comic strip. Indeed Tintin appeared as a part of a weekly youth supplement in the Catholic newspaper The Twentieth Century. Any ways, Tintin was first published in there in January 1929, and soon would start what would become the first Tintin story, Tintin in the Land of the Soviets. Now only part of Tintin in the Land of the Soviets was published in 1929, the story line wrapped up in May 1930, so only those 1929 stories and what appears in them is free and clear and Tintin was published in black and white not color. Tintin's author Hergé had no idea what he was doing and was really learning on the job so In The Land of the Soviets is generally seen as his weakest outing and the only one he never opted to redraw in later years. Even so it's nice to see the character free in the world. No word on if Tintin will star in a horror movie.

Buck Rogers (but not really)

The original futuristic space man was published, again a comic strip, in 1929 which means he should enter the public domain today, but he won't. That's because he already is public domain! Before the Copyright Act of 1976 copyright was 28 years with the option to renew for another 28 years. The copyright on the original comic strips was not renewed so ran out at the end of 28 years, 1958. So Buck Rogers has been free and clear for close to 70 years now, whatever you hear about him today.

What else?

Famously last year Mickey Mouse entered the public domain, but all the entered public domain was one (maybe two) animated short, Steamboat Willie. Well this year a dozen Mickey Mouse animated shorts enter the public domain, including the first time Mickey has his iconic white gloves, and the first time Mickey speaks (the first thing Mickey Mouse ever says, voiced by Walt Disney himself, is "Hot dogs! Hot dogs!" in case you were wondering) This will give creators much more to work with if they want to use Mickey in their works which is exciting.

Speaking of Walt Disney, The Skeleton Dance is entering public domain, you likely don't know the title but I suspect you've seen at least part of it at some point

so look for this showing up on TVs in the backgrounds of films and TV shows in the next year or so

Books

The iconic novels of World War I, Ernest Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front enter public domain. In fact All Quiet on the Western Front entered public domain last year, but only in the original German, the 1929 translation by Arthur Wesley Wheen is whats entered the public domain now. John Steinbeck's first novel, Cup of Gold, William Faulkner's The Sound and the Fury, Virginia Woolf's A Room of One's Own, and Agatha Christie's Seven Dials Mystery (always get an Agatha Christie novel on this list for the rest of our lives). Dashiell Hammett published both Red Harvest and The Maltese Falcon, later made into one of the greatest films of all time, in 1929. Future children's book author E. B. White (who's go on to write Charlotte's Web and Stuart Little) and future New Yorker cartoonist and humorist James Thurber teamed up to write the delightfully titled Is Sex Necessary? Or, Why You Feel the Way You Do a book of spoof essays making fun of popular books on Freudian sexual theories at the time. The Roman Hat Mystery the first of the long running Ellery Queen mysteries was published, Queen would keep publishing mysteries into the 1970s (and Ellery Queen was a pen name for two people). Richard Hughes' A High Wind in Jamaica and Oliver La Farge's Laughing Boy also came out in 1929 and are in the public domain now. There's much else but those are the highlights sorry if I missed your favorite 1929 novel.

Movies

Alfred Hitchcock and Cecil B. DeMille's first movies with sound, Blackmail and Dynamite respectively, came out in 1929. Marx Brothers' first feature film The Cocoanuts joins the public domain. Other comedy land marks are Harold Lloyd's first sound film, Welcome Danger and Buster Keaton's last silent film, Spite Marriage (which Keaton also directed). John Ford's first sound film, The Black Watch, which also is 21 year old John Wayne's first appearance in a film, as an uncredited extra, he worked in the art department. Hallelujah the first studio film to have an all black cast came out that year. Also worth noting is The Hollywood Revue of 1929 a singing and dancing review, one of the earliest and the movie that popularized the song Singin’ in the Rain, maybe the first time a movie made a song a hit.

Musical compositions

musical compositions, ie the lyrics and musical notations you might see on sheet music are governed by the 1976 Copyright Act, and music written in 1929 is public domain. Music recordings are governed by a whole different law (we'll get there). Songs written in 1929 include Singin’ in the Rain by Arthur Freed & Nacio Herb Brown, Ain’t Misbehavin’ and Black and Blue by the legendary Fats Waller, What Is This Thing Called Love? by Cole Porter, Tiptoe Through the Tulips by Alfred Dubin, You Were Meant for Me by Arthur Freed & Nacio Herb Brown, and also Happy Days Are Here Again by Jack Yellen which would become FDR's campaign theme song in 1932.

Art!

a number of pieces by Salvador Dalí including:

Illumined Pleasures

The Accommodations of Desire

The Great Masturbator

are entering the public domain as is René Magritte’s The Treachery of Images.

Art is hard because while movies and books are clearly "published" and put on sale, what counts as "published" for a piece of art? the law is not totally sure.

Musical Recordings

as I promised, we got here. Till 2017 there were no federal laws governing the copyright of music recordings before the 1970s, it was governed by a confusing patchwork of state laws and it was not totally clear what was or was not free and clear even from the very earliest recordings ever. Now the term of a music recording's copyright is set at 100 years (way too long) so music recorded in 1924 is now public domain such as. Nobody Knows the Trouble I’ve Seen by Marian Anderson, Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) by Louis Armstrong, California Here I Come by Al Jolson, Rhapsody in Blue by George Gershwin, Shreveport Stomp by Jelly Roll Morton, Mama’s Gone, Good Bye by Ray Miller, and It Had To Be You by Marion Harris. Now many recordings a lot less famous can finally be preserved and digitized to save them for the next 100 years. Many abandoned works are literally rotting away since without the copyright holder's permission digitizing a work isn't legal.

[niteshade925]

April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 1 - Dehua white porcelain exhibition/德化白瓷展):

Aaand finally, the National Museum of China/中国国家博物馆! I was lucky enough to see the famed Dehua white porcelain exhibition/德化白瓷展 here. Some of you may recognize some of these pieces already, since pictures and shorts of them have been circulating online way before I went on this trip, but there are many many other pieces too. The pieces I post here are only a small portion of the entire exhibition, so if you ever get a chance to see the exhibition elsewhere in person, don't hesitate. This stuff is amazing.

First up is one of the two that has been gaining popularity online, the piece named 神话 or "Legend".

The first time I saw a porcelain piece like this, I thought that the clothing part was made with paper? But no, the light fabric of the clothing, the hair, it's all porcelain. Keep in mind when looking through these pictures: every part of every piece is porcelain.

This piece is the other one that was becoming popular, the piece named simply 纸, or "Paper". If you don't look up close and see the glossy surface, you can't tell it's actually porcelain. I cannot for the life of me imagine the kind of magic that was used to turn clay into this

Anyway, this is a good point to introduce Dehua porcelain a little bit. Dehua porcelain is a regional specialty of Dehua/德化, which is located in Fujian province, and is known for its expressiveness and white color. For this reason it's also known in the West as "Blanc de Chine" (French: "white of China"), and this should be the reason why this exhibition is named 中国白, which basically means the same thing. The history of Dehua porcelain goes back to Song dynasty (960 - 1279), and it is still being produced today. Many of the pieces I'm posting here are modern pieces.

But Dehua white porcelain can be colored too (I imagine the color must be painted on later, because the white comes from the clay itself), and when it is colored, it looks like it came right out of a painting

This piece is especially amazing to me. Look at the texture, look at those details. Zoom in and you will find that there are actually a bunch of porcelain ants on this porcelain tree stump. Porcelain ants. I never expected to use porcelain as an adjective when describing ants. Wtf. It's like a manifestation of a scene from an older animated movie.

Peanuts are called 花生 in Chinese, which literally means "flower grow", and because it also has a long shelf life, it symbolizes longevity and a happy marriage. Also a fun fact: because Watson of Sherlock Holmes is usually phoenetically translated as 华生 (huá shēng) in Chinese and sounds similar to 花生 (huā shēng), you will find that many in the Chinese SH fandom refers to Watson as "peanut".

This piece is titled 春色满园, or "garden filled with spring scenery". This is also a common 4-character word used to describe gardens in spring. I'm guessing the figure depicted here is one of the flower gods. It is one of my personal favorites because of its superb depiction of movement, it's as if the flower god will really fly away on clouds at any moment

More depictions of traditional Chinese deities, specifically Chang'e/嫦娥, the moon goddess. That moon rabbit is too cute.

Depictions of what I'm assuming is the Four Heavenly Kings/四大天王, based on the items they are holding. The Four Heavenly Kings are Buddhist deities.

Look at her clothing! That porcelain is so thin it's almost see-through! Also is it depicting Li Qingzhao/李清照, the famous female poet from Song dynasty? She does have a famous ci poem that's about paddling a boat in a lake full of lotuses while drunk

The piece titled 锦绣前程, or "future as vibrant and prosperous as silk brocade". This is also a common 4-character word used in well wishing. The figure in this piece is holding a xiuqiu/绣球, a ball made of silk, which was usually seen as a token of love

Somewhat more modern-themed pieces:

Among the hundreds of amazing pieces, this one caught my attention for its unique texture. When everyone else was trying to turn the clay into these thin sheets representing fabric or paper or flower petals, this artist took the noodle approach. Not many visitors seemed to like it, but I think it's pretty cool

Piece titled 运势如虹, or "fortune like the rainbow", also a 4-character word used in well wishing. Traditionally horses symbolize vitality and success, hence why many people use the words 马到成功 ("horse's arrival brings success") and 龙马精神 ("vitality of dragons and horses") in well wishes during Year of the Horse

Stay tuned for Part 2 of the Dehua white porcelain exhibition!

[thewisecheerio]

Messmer's actually terrible at his job. (affectionate)

Messmer is a fascinating villain, because he is strangely compassionate. I would go so far as to argue that this same compassion that is so at odds with his villainy is the very thing that drove him to become that villain in the first place. Hang with me; this is a long post.

Spoilers for Elden Ring DLC. Obviously.

Messmer tells us himself that his purpose is to purge all those stripped of the grace of gold. "Yet...my purpose standeth unchanged. Those stripped of grace of gold shall all meet death...in the embrace of Messmer's flame." We can piece together who gave him this genocidal purpose from his armor set's description, which tells us directly that he's working on his mother's behalf *and also* taking all the blame for it.

So he's playing war criminal on Marika's behalf. And I do mean playing. I'm not downplaying the fact that he is a war criminal; he has murdered on entire people. But here's the thing: he's *terrible* at playing the sole part of the spiteful, hateful overlord. He's *awful* at reveling in war and its victories.

Why? Empathy.

Messmer is strangely empathic for what could have otherwise been a cut-and-dry villain:

1. His relationship with Gaius, an Albinauric: We learn from Gaius's Remembrance that he was Messmer's bestie. We also know that Gaius was an Albinauric both from his armor as well as the location "Albinauric's Hut" in the direction he comes from at the beginning of his fight. Albinaurics are despised by the Golden Order, but Messmer didn't seem to care. In fact, he cared so little that he gave Gaius command of either a huge chunk or perhaps his entire army, second only to him. And what is given as the basis of this friendship? The fact that they were "both cursed from birth", i.e. a mutual understanding of what it is to be despised. They're trauma bonded because they have empathy for each other's predicament.

2. His relationship with the Jar people: Even though the Jar people were used as weapons of war against his own people, he doesn't seem to resent them. How do we know? There is a hospital where the Jars and their innards are being cared for in the Storehouse, a stone's throw away from where Messmer spends all his time. There are even a few baby Jars running around in it. Strange thing to do to what is essentially an enemy of your people, unless you consider them to also be victims of the same conflict.

3. His relationship with his soldiers: Messmer shares his own flame with his army. Yeah, that absolutely could be interpreted as a utilitarian move for the sake of war. Power up the troops, boost your chance at victory. But it's a strange choice when he could have just armed them in the traditional way of handing them sharp, pointy objects and pointing in the desired direction of stabbing. Instead, arming your soldiers with your own power could also be interpreted as something you do when you care about their survival and are potentially working directly with them to ensure it.

4. The mourning of people who betray him: Speaking of his soldiers, Messmer gets betrayed by at least a few of them. We learn this from the ashes of Andreas and Huw. Huw's ashes further tell us that Messmer *mourned their loss* as brothers-in-arms. Weird thing to do to someone who has betrayed you, unless you care very deeply about them to begin with.

5. The implications of the Storehouse: Even though he is actively genociding Hornsent on Marika's orders, he somehow has preserved an entire library of their history. At first, I thought this was maybe just British Museum vibes: steal all the artifacts and refuse to give them back. (And that could still be a correct interpretation.) But in context of the rest of these points, if you're truly hellbent on erasing a culture, why would you bother to preserve any of it? Would you not burn the libraries along with the people? It's a fairly common thing to do in our world's wars--destroy the art and history to ensure full erasure. And yet, it seems he can't even bring himself to avoid some small amount of sympathy for the people he was explicitly tasked with killing. If you really *think* about the basis for his sympathy for Marika, this does make a lot of sense. Messmer is following Marika's orders because he knows about what the Hornsent did to the Shaman. Wouldn't it then also be the case that once Marika's reign became nothing but genocide, i.e. an exact reversal of what was done to her people, he would have the same kind of sympathy for them? Perhaps this is a form of harm reduction in the only way he could square with what he thinks is his purpose.

6. His own self-hatred: Messmer despises his own flames, which we learn from the Messmer's Orb description. If you were happy to be Doing a Genocide, would you not celebrate your weapons of war? Wouldn't you take pride in them as tools of power? Unless, of course, you're not actually as happy as we think and maybe having regrets and come to be filled with severe self-hatred. Woops.

So then, if Messmer is this guy running around with a lot of Big Feelings (and probably a deep need for a Prozac prescription), why does he even agree to this genocide in the first place? Isn't that an *odd* choice for someone who seems to care pretty deeply about people, even people despised by his family's governing order? Why does he carry out these orders even to the point of developing a deep self-hatred?

This is where Messmer's sympathy, one of his best aspects, also becomes his fatal flaw.

I mentioned above in 5 that Messmer has access to information about both sides of this conflict. As much as he might have sympathy for everyone around him--including weapons used against the Shaman like the Jars--that means he *also* has sympathy for the Shaman. So if you have sympathy for the other side and sympathy for your side, and you are raised by your own side, then what is the natural outcome? Your side wins. If you must choose a side, then you fight on behalf of Child Soldier Fostering Mother Marika. She raised you, after all. It's inevitable.

In the end, that same sympathy he seems to extend to others also is what causes him to do war crimes. Out of an abundance of sympathy for what happened to the Shamans, he agrees to take up arms.

At the end of the day, he's still a villain that needs to be stopped so that he'll stop oppressing an entire people on behalf of his mother's misguided attempts at revenge. But making his reasoning to agree to become that villain in the first place *empathy* of all things? Fascinating.

[ancientgoddessofegypt]

Astro thoughts : short n sweet <3 Jupiters Moment

Jupiter in the 1st - Beneficial factors play a lot with this group. However they have to work harder to get it. It is because their life is based of their beliefs, they have to work to maintain a certain mindset to keep the luck from straying away. Have beautiful spirits and are capable of anything, that is because they chose to walk that path & not by how easy it looks.

Jupiter in the 2nd - Needs peace & stability at all times. Good looking. Money making abilities are stagnant until they learn to grow with their consciousness. Not everything is what it seems, so try to be on the look out for something new and different. Thats when the luck begins. Take a risk, and use your intellect to get what you need.

Jupiter in the 3rd - Needs a lot more quiet time, hermit mode. Have gifts in astrology here. Some may op for a new path every few months or so. It's because their destined to know a lot in this life and go after anything that interests them at the moment. Could be open to trying new relationship tactics and going with the flow much easier. Have a different perspective than most & they dont keep quiet about it for long. Mature presence. Very odd but likeable at the same time.

Jupiter in the 4th - Royal family. Heritage & traditional values are stored in this vessel. Mysteries and traditional secrets from the family bloodline may come out at some time. This is a very special house placement because its so much to explore in a short time.

Have faith in your lineage, you're the one who breaks the code!

Jupiter in the 5th - Creativity flows through these cats like no other. Very special essence and can be well liked by almost anybody. This comes from their talents btw. If you're good at drawing, singing, dancing, acting, etc. You might catch a lot of attention on you at some point. This placement gives me Johnny Bravo energy. like you're capable of getting the girls to like you with just your looks and personality. Just dont get to happy, no body likes a super boastful guy ;)

Jupiter in the 6th - Unique flow when going after what they love. They work the hardest when its something they know is divinely ordered for them to achieve. They don't mean any harm, their just trying to get their needs met. Super optimistic when live seems to be in order and balanced. But when off balanced, it seems as if a fire has striking them and they become the great dragon. Don't stare at them to hard, they'll begin to overthink a lil.

Jupiter in the 7th - My my my, this is what I call a royal placement. Because this gifts an individual with a great sex life. Could be unattainable to say the least. You're not everyone's 'favorite' but your presence is also something that people want to receive. How that work? You have a value to you that keeps you at bay from onlookers that don't have nothing to give, but something to take. Be more weary with the company you keep, you don't know how good you got it, and how special you are.

Jupiter in the 8th - Very deep, raw personas who are captivated by the knowledge they receive in the dream realm. They have a lot of issues very psychologically, and this gets deeper with the maturing of their path. They have a light & dark persona but its given to sustain balance in this life & the after life. They have integrity and morals and most times it is based of tradition. Other times, their really a rebel, and go after everything they came for. Because what's a life to live when you can't live it freely?

Jupiter in the 9th - Free spirits and ultra loving character. Can be a bit of a know it all but thats fine. This house is their rightful home, so a lot of good energy can be bestowed on them from time to time. Great luck. Adventure is something they should seek from all ages of their life. It is good to have someone around when going on many great journeys of the soul. These people could be a friend you never forget.

Jupiter in the 10th - Likeable nature. Their personalities fit that of the audience they are naturally connected to. Very bountiful energy. Could look like they got it all going on, but deep inside you may not know the true darkness they carry. This is a capricorn ruled house, so they tend to battle some challenges here and there. But with great restraint & an amazing mindset to go with it they come back on top, each and every time.

Jupiter in the 11th - Sweet personas and balanced personalities. They could be in a lot of groups and can know a lot of people with just their smile and cool personality. They could end up being in groups where they are teaching something to a large mass of people. Could be very inspiring and open to anyone they meet.

Jupiter in the 12th - They feel things a lot heavier than most would like to believe. They see the world differently than their peers and this could make them the odd ball at times. Their personalities mesh well with artistic individuals because they've mastered the eye of sight. Meaning that their good at understanding things from a point of view only them and God could understand, but that doesn't mean that it can be explained. In other words, they are extremely complex to the human brain, not an individual you can describe. Very spiritual, very contagious energy. Bright speakers and just super angelic.

[surielstea]

Solstice Special

(SFW version)

Pairing: ACoTaR x Fem!Reader (separately)

Summary: A compilation of drabbles with a theme of Winter Solstice, just an excuse to write fluff really.

Warnings: All fluff! One allusion to smut (rhys), but that’s it!

3.7k words.

Rhys - Mistletoe

I leaned against the archway of the foyer, sighing as I reached down to unbuckle the straps of my heels. The day's weight still clung to me, but the familiar warmth of home promised relief. One shoe off, then the other, I barely registered the soft sound of hurried footsteps until they were practically upon me.

Rhysand rounded the corner from his office, his usual grace momentarily abandoned as he skidded slightly on the polished hardwood floor. My brows furrowed at his urgency. "What's wrong?" I asked softly, my voice laced with curiosity and a hint of concern.

He didn't answer, not with words, anyway. Instead, his hands cupped my face, firm yet tender, tilting my head up to meet his descending lips. His kiss was sudden, warm, and commanding, leaving me breathless before I had a chance to even think.

Still, I kissed him back, my confusion melting into a hum of contentment. When he pulled away, his violet eyes sparkled with mischief, and his lips curled into that devilish smile that always unraveled me.

"Welcome home," he murmured, his voice rich and teasing.

I blinked up at him, dazed. "What was that for?" I managed to whisper, still feeling the lingering heat of his mouth on mine.

His grin widened as he silently pointed above us. My gaze followed the gesture, landing on a sprig of mistletoe dangling from the archway. I couldn't help the laugh that bubbled up, shaking my head. "Did you hang that up?"

"I did," he replied, looking awfully pleased with himself. His pride was almost endearing, considering I had done all the rest of the decorating. The garlands on the banister, the wreath on the door, the lights twinkling softly in the windows—all my handiwork. And yet, he stood there, so smug about his singular contribution.

I grinned, shaking my head as I leaned up on my toes to press another quick kiss to his lips. "I think it's my favorite of all the decor," I murmured against his mouth.

He hummed his agreement, his hands sliding down to rest on my hips. "I know," he said, his tone entirely too self-satisfied. "I'll expect full credit for it."

From that day on, the mistletoe became a tradition—one he refused to let go of. Every day when I walked through the door, he'd be there waiting. His excuse was always the same, a playful glance upward and a husky, "You know the rules."

Usually, the kisses were soft, sweet. A lingering press of his lips against mine followed by a quiet, "I'm glad you're home." Sometimes he'd brush his thumb along my jaw or press his forehead to mine, his eyes saying what words never could.

But on other days—those long, grueling ones when exhaustion was carved into every line of my body—his kisses were different. They were hungrier, more insistent. He'd pin me against the wall, his hands roving over my waist, my back, his touch dissolving every ounce of tension. His mouth would trail to my neck, his voice a low murmur, "Let me take care of you." And he always did, in ways that left me breathless and melting into him.

There were moments when I wondered if the mistletoe had been an innocent gesture at all, or if he'd hung it up knowing it would become something more—a way to anchor us, to carve out a pocket of intimacy amid the chaos of the world outside. If so, I couldn't complain. It was the best idea he'd ever had.

The archway and its ever-present dangling plant became our quiet haven, an unspoken ritual that drew me closer to him every day. And it was the last night of the Solstice Season, meaning all the decorations would go down tomorrow. So when I came home I expected rose petals leading up the doorstep and candles to illuminate our last kiss beneath the dangling plant.

But when I walked inside, I found him waiting for me, not beneath the mistletoe, but by the window, a glass of wine in his hand. The soft glow of the moonlight framed him like some sort of painting, his silhouette a study in elegance and ease. He didn't notice me at first, his attention fixed on the snow drifting lazily outside.

I paused in the doorway, letting the sight of him settle in my chest. He was dressed in more casual clothes—a loose, charcoal-gray sweater and black slacks—and for a moment, I could almost forget he was the High Lord of Night, the most powerful male in Prythian. Right now, he was simply mine.

"Are you going to stand there staring all night?" Rhysand asked, his deep voice cutting through the quiet. He didn't turn, but I could hear the amusement in his tone.

I rolled my eyes, stepping into the room. "You looked peaceful. I didn't want to ruin the moment."

He glanced at me over his shoulder, a slow smile spreading across his face. "You could never ruin anything." Setting his glass down, he turned fully, holding out a hand. "Come here."

I hesitated for only a moment before crossing the room and slipping my hand into his. His fingers closed around mine, warm and sure, and he guided me toward the window. "Look," he murmured, nodding toward the snow.

I followed his gaze. The world outside was blanketed in white, the kind of snowfall that muffled all sound and made the world feel smaller, quieter. It was beautiful, but I couldn't focus on it for long. Not with the way he was looking at me.

"You're not even looking at the snow," I accused softly, glancing up at him.

His lips twitched. "Why would I, when you're here?"

I let out a breathless laugh, shaking my head. "You're shameless."

"Always," he agreed, pulling me closer. His hands settled on my hips, and I found myself instinctively wrapping mine around the back of his neck, head resting on his chest as I stared out the window. We stood there, swaying slightly to a rhythm only he seemed to hear.

After a moment, I tilted my head up to look at him. "You going to kiss me anytime soon?"

"Desperate, are you?" he countered, one brow arching.

I gave him a pointed look. "You're the one who started all this."

He sighed, a dramatic sound, but the way his hands tightened on me gave him away, he couldn't deny me.

He leaned forward, smiling as our lips nearly met but didn't quite touch. I huffed, rising onto my toes and closing that gap to kiss him. It was slow and deep, a silent confession of everything I couldn't say. He responded immediately, his arms tightening around me, grounding me.

His hands ran up my hips, large hands gripping my waist, the warmth of his touch seeping past my clothes as he pulled me closer and deepened our kiss, attempting to pour all his love into this one moment.

By the time we pulled apart, I felt lighter, the weight of my long day dissolving under his touch. "Thank you," I whispered, my fingers brushing over his jaw.

He smiled, that familiar, self-assured curve of his lips. "For the kiss? Or for being perfect?"

I laughed, shaking my head. "For this. For you."

His smile softened, his gaze turning molten. "Always, my love." He pecked my lips once more, slowly pulling away with his forehead against mine. "Always."

Az - Cookies

We had made a mess. Flour clung to the entire front of Azriel's black shirt, standing out starkly against the dark fabric, while dye from the frosting stained my hands in streaks of bright colors. The countertops were a warzone of cookie cutters, unused dough scraps, and piping bags in every color.

But neither of us seemed to care. Azriel focused on his latest creation with the precision of a Spymaster turned confectionery artist, the perfectly golden-brown sugar cookies serving as his canvas. I was still shocked he hadn't devoured the one he was decorating, considering he'd been snatching cookies fresh out of the oven all afternoon.

We weren't officially competing, but if we were, I'd be losing. Horribly. His cookies looked like something straight out of a Winter Solstice display—ornate wreaths, perfect bows, and snowflakes so detailed they might have been drawn by hand. Meanwhile, my snowman looked like he'd been through a blizzard and lost the fight. His crooked smile mocked me from the plate.

With a defeated sigh, I cleared a small space and hoisted myself onto the counter, leaning back on my hands to watch my mate work. I didn't understand how he was so good at manipulating the frosting—it seemed to defy my every attempt.

"Are you pouting?" Azriel asked without looking up, his deep voice carrying a hint of amusement.

"Something like that," I replied, unable to keep the pout from my tone.

"This was your idea, might I remind you," he said, a soft laugh rumbling in his chest.

"Yeah, yeah," I muttered, waving him off. "I remember."

Azriel placed the piping bag down with deliberate care, adding yet another masterpiece to the growing plate of decorated cookies. Finally, he looked up, those hazel eyes warm and alight with quiet humor as they locked onto mine.

Without a word, he stepped forward, settling himself between my legs. His hands, still dusted with flour, rested on either side of my thighs as he leaned in. The kiss was soft, sweet—lingering just long enough to make my breath catch. When he pulled back, his lips curved into a slight smile, dimples appearing as though summoned just for me.

"You taste like frosting," he murmured, his voice low and teasing.

A soft giggle escaped me before I could stop it. "You're not entirely innocent either." I poke his chest.

He tilted his head, pretending to think, but the mischievous gleam in his eyes gave him away. "I'm not sure what you're talking about," he said at last, his lips twitching into a smirk.

I rolled my eyes, but I couldn't help the warmth blooming in my chest.

Cass - Snowmen

"Using your powers is cheating," Cassian declared, gesturing toward my much more impressive snowman. His own creation, barely the size of a pre-schooler, leaned precariously to one side, a lopsided grin smeared across its face.

I scoffed, smoothing the snow on mine as I used my magic—honed in the Winter Court—to form the snowman's perfectly symmetrical, smiling expression. "Don't pout," I said, throwing him a smug grin. "It won't make your sad little snowman any better."

His gasp was loud and exaggerated, and he stomped through the knee-deep snow toward me, hands on his hips like a scolding parent. But the rant he was about to give cut off as his gaze flicked upward. He tilted his head back, dark hair dusted with white as fresh snow began to fall.

The soft flakes drifted between us, one landing perfectly on the tip of my nose. Cassian grinned, leaning in to brush it away with his lips before stealing a kiss, his mouth warm against mine. The cold melted away as I wrapped my arms beneath his jacket, hugging his solid torso against me. His hands pressed against my back, pulling me even closer.

But he leaned too far into the embrace, and the next thing I knew, we were tumbling backward into the snow.

I squealed as I landed with a soft thump, the freezing cold biting into me as I flailed. Cassian laughed, his deep chuckle loud and unapologetic as he flopped onto his back beside me.

"You're such a brute," I muttered, trying to brush the snow off my hair.

"And you're such a sore loser." He grinned, turning his head to look at me, dark eyes gleaming with amusement. "Thought you liked the cold?"

"I do." I glared, my cheeks flaming as the cold snow beneath me only seemed to grow colder.

"Then stop whining and enjoy it." Before I could argue, he swept his arms wide, his legs kicking out to carve a snow angel. The sight was so ridiculous—Cassian, a massive Illyrian warrior, lying in the snow and making an angel—I couldn't help but laugh.

"You don't need to use your arms, you already have arms," I said, flopping back beside him. "So ridiculous."

But I joined him, moving my arms and legs until a pair of angels stretched between us. He turned his head toward me, his grin softening into something warmer, gentler.

"I like this," he murmured. "Just you and me, acting like kids in the snow."

My heart clenched, the sincerity in his voice wrapping around me tighter than his arms ever could. I reached for his hand, our fingers lacing together in the snow.

"You're lucky I'm in a good mood," I teased, "or I'd bury you in it."

He laughed again, the sound full of unrestrained joy as he tugged me closer. His wings wrapped around us like a shield, keeping the cold at bay as the snow continued to fall. We lay there for a while, watching the snowflakes swirl down from the dimming sky.

Eventually, he whispered, "I'll help warm you up when we go inside—if you admit my snow angel is better than yours."

I rolled my eyes, a smile tugging at my lips. "Not a chance, general."

Lucien - Ice Skating

"Wait!" I called out to my mate, my hands trembling slightly as I tried to steady myself. My knees wobbled dangerously beneath me, the ice beneath the blades of my skates feeling far less forgiving than solid ground.

Lucien turned, easily as if he wasn't on blades. His golden eye shimmered with amusement, the hint of a small smile tugging at his lips. He looked as though he'd been born on skates, while I felt like a newborn fawn—clumsy, awkward, and certain I was seconds away from disaster.

I took a tentative step forward, my arms stretched out as if I could somehow will balance into my uncooperative limbs. The moment my foot moved, I lurched forward, letting out a squeak of panic.

Lucien was there in an instant. I grabbed his jacket instinctively, clinging to him as though he were the only thing standing between me and certain doom.

"Here," he said, his voice warm and steady, "hold my hands." He extended his palms toward me, his confidence so disarming that it made my own nerves feel a bit foolish. Slowly, ever so slowly, I released my death grip on his jacket and slid my trembling hands into his.

"There," he said softly, his thumbs brushing reassuring circles over the backs of my hands. "Be confident, or you'll fall."

"Easy for you to say," I muttered under my breath, glancing down at the ice with a mix of terror and defiance. "My legs are so stiff from the cold I feel like they'll snap in half."

Lucien chuckled, the sound low and rich, like molten honey. "Always so dramatic," he teased, threading his fingers through mine as he took a small step backward, gently pulling me forward.

"Just match my movements," he instructed. His voice was calm, soothing, and so maddeningly self-assured that I almost forgot my fear. Almost.

My brows furrowed in concentration as I tried to follow his lead. My legs refused to cooperate, my body too tense to glide smoothly the way he did. Instead, I felt like a lump of wood teetering on the edge of disaster, certain that at any moment I'd go face-first into the ice.

Sensing my hesitation, Lucien squeezed my hands, and warmth bloomed from where his skin met mine, chasing away the biting chill that had settled in my fingers. The warmth crept up my arms and into my chest, soothing me in a way that only he could.

"See? You're already doing better," he encouraged, his voice laced with pride.

I frowned up at him, catching the faint curve of his lips. "Stop laughing at me," I huffed.

"I'm not laughing," he protested, though his golden eye sparkled with amusement.

"You're smiling," I pointed out accusingly.

"Am I not allowed to smile at my mate?" he countered, his smirk widening.

"No," I shot back, though my voice lacked conviction. "Not when I'm one slip away from breaking every bone in my body."

He laughed then, the sound so genuine and warm that I felt my annoyance melt away. "You're not going to fall," he promised.

"And if I do?" I challenged, narrowing my eyes at him.

"Then I'll catch you," he said simply, his voice steady and certain.

Something in the way he said it—like it wasn't just about ice skating, but about everything—made me falter. I swallowed hard, the moment of vulnerability making me cling to him just a little tighter.

"Now," he said, his tone light and teasing again, "let's try this without you looking like you're walking on hot coals."

I glared at him, but I couldn't stop the small laugh that bubbled up. His confidence was contagious, and as I let him guide me step by step across the ice, I felt my body begin to relax.

The fear was still there, lingering at the edges, but with Lucien's steady hands in mine and his unwavering gaze fixed on me, I started to believe that maybe I wouldn't fall. And even if I did, I knew he'd be there to catch me.

Eris - Cocoa

I buzzed with excitement as I topped my steaming mug of cocoa with an indulgent swirl of whipped cream, crowning it with tiny marshmallows that spilled over the rim. The warmth of the drink seeped into my hands as I cradled the mug, savoring the simple joy of the moment.

"Love?" Eris's voice, low and laced with sleep, called from the hallway. I glanced up just as he peeked his head around the corner, his copper hair deliciously ruffled, his sharp amber eyes softened by drowsiness.

"Morning, Eris," I said softly, a smile tugging at my lips. He blinked at me, his expression still crinkled with sleep, and shook his head wordlessly before padding into the room.

Before I could ask what he was doing, he closed the distance between us. Gently, his hands slid over mine, tugging me away from the counter and into the hallway with the sleepy drag of his feet.

"Eris," I began, my voice full of curiosity, "what are you—?"

He didn't answer, his silence as warm and grounding as his touch. His hands in mine felt like slipping into a sun-drenched blanket on a crisp autumn morning. He led me to our bedroom, nudging the door open with a lazy kick. Releasing my hands, he turned to face me, his sharp features soft in the early light.

In one swift motion, his hands found my waist, and he pulled me down onto the bed with him. "Eris," I sighed as he reached for the blankets, cocooning us in their warmth.

"It's too early," he murmured, his voice raspy and thick with sleep as he nestled into the crook of my neck.

"My cocoa's going to get cold," I protested half-heartedly, but the argument died on my tongue the moment he tightened his arm around me.

"Just a few minutes," he countered, his words brushing my skin like embers. His fingers began tracing slow, soothing circles along my back, their heat melting away the last of my resistance. He pressed a featherlight kiss to my neck, and I couldn't stop the warmth that bloomed in my chest, spreading like wildfire.

"Fine," I whispered, my resolve crumbling under his touch. "Just a few more minutes."

His only response was a soft hum of approval as I ran my fingers through his unruly hair, combing it away from his face. His quiet breaths and the rhythmic heat of his touch lulled me deeper into the comfort of the moment. Before I knew it, I'd drifted off, enveloped by his warmth.

I woke to the sensation of gentle kisses—one pressed to my forehead, another to my cheek, and then the tip of my nose. I blinked my eyes open, greeted by Eris's amber gaze, glowing with unspoken affection.

"Morning," I rasped, my voice heavy with sleep. "Again."

His lips curved into a soft smile as he leaned in, brushing a kiss against mine. His fingers cradled my jaw, the gesture tender enough to steal my breath.

"Morning, love," he murmured, his voice still thick with sleep. His thumb traced the curve of my cheek. "Think your cocoa's cold now?"

My eyes widened as the memory hit me. I scrambled out of bed, rushing to the kitchen as Eris's amused laugh echoed behind me. I skidded to a stop at the counter, frowning down at the abandoned mug. Tentatively, I dipped a finger into the drink. Ice cold.

"It's ruined," I said, pouting as I turned to Eris, who had followed me with his usual unhurried grace. "It was the last of the cocoa powder."

He leaned against the counter, his hair still a mess from sleep, and shook his head with a smirk. "You forget who I am."

Taking the mug from my hands, he held it between his palms. Within seconds, steam curled into the air, and the rich scent of cocoa filled the kitchen once more.

I smiled, biting my lip as I looked up at him. "Show-off."

"There," he said with a grin, handing the mug back to me.

Rising onto my toes, I pressed a kiss to the corner of his mouth, savoring the warmth of his skin. "Thanks, 'Ris," I murmured, cradling the mug close as I took a tentative sip. The heat spread through me, as rich and comforting as the male watching me with sleepy affection.

"You're welcome, love," he replied, brushing a stray strand of hair from my face. His amber gaze held mine, filled with warmth, and I couldn't help but think there was no better way to start the day.

NSFW version here -> Link

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[astra-ravana]

Sigil Magick: Illustrating Your Intent

Sigils are a cornerstone of contemporary and chaos magick and function as keys to unlock the doors of reality and bend it to one’s will. These potent symbols serve as physical embodiments of one’s intentions, cast into existence through the fusion of art and willpower.

The crafting of a sigil begins with a clear and focused intention, which is then worked into a unique symbol through a creative magickal process. The magick practitioner inscribes deep personal meaning and style into their designs, making each unique to its artist. Sigils are ideal tools for manifesting your desires, imbuing objects with specific purpose and energy, protecting spaces, and communicating with the spirit world and should be used responsibly.

Origins

The practice of crafting sigils traces its roots to the ancient world but was modernized in the early 20th century by the works of Austin Osman Spare, an occultist and artist. He introduced the method of creating magical symbols by condensing letters of a desire into an abstract design. Aleister Crowley, too, influenced the practice by intertwining sigils with ceremonial magick, embedding them with a rich esoteric significance.

Some occult grimoires employ sigils as a means of contacting spirits, for example; Ars Goetia, The Book of Oberon, and Pseudomonarchia Daemonum.

Basics of Sigil Magick

Sigil magick emerges from the belief in one’s ability to manifest their focus into reality. Through a process of creation, a sigil becomes much more than mere ink on paper—it is the illustrated essence of desire. Individuals can use sigils as focal points for their will, empowering these symbols through meditation or ritual to enact change. The universe of sigils is vast and varied, types of sigils include:

• Pictorial Sigils: Intuitive symbols drawn from the subconscious

• Runic Sigils: Combinations of runic alphabets that resonate with specific energies

• Word Sigils: Derived from statements of intention, where letters are crafted into a unique symbol

Correspondences also serve a purpose in this class of magick, in order to help align one's intent to universal energies. As an artist crafts their sigil, they intertwine traditional symbols with personal significance, creating a bridge to the metaphysical world. Some relevant correspondences are:

• Numerology: Numbers carry vibrations that can enhance a sigil’s purpose.

• Zodiac Signs: Celestial influences infused to fine-tune the focus.

• Elements: The classic forces of Earth, Air, Fire, and Water lend their power to sigils, grounding them in natural harmony.

Sigil Creation

Before you take pen to paper, first envision your intent with clarity and purpose This may involve some deep introspection into the true nature of your desires. A precise intention lays the foundation for the sigil's power. Once ready, write out your intention and cross out any duplicate letters. From here a couple different methods can be utilized. Naturally you could always draw your sigils from pure instinct, creating spontaneous shapes to represent your intentions, but there are other techniques available.

The Wheel

This method employs a wheel to be used as a map for drawing your sigil. Simply start at the first letter of your intent and draw lines to each subsequent letter. Example:

My Method

I make my sigils by breaking up the letters to create shapes. I will often decorate with extra shapes, symbols, and pictures as well. Here is a simplified example of my sigil creation process:

Next you must charge your sigil. Charging is the act of infusing the sigil with energy. The creator might enter a meditative state, focusing intently on the sigil while envisioning their intentions intertwining with the design. This act of focused concentration serves to embed the intention within the sigil, making it a beacon for the desired change.

Passive and Active Sigils

Intentioned sigils fall into either the passive or active sigil category based on how that sigil's energy is best utilized. Passive sigils are usually drawn on the body, item, or surface and then left alone to release their power over time. Active sigils involve some action to trigger the release of the sigil's energy, such as burning, burying, soaking with water/oil, and more. Some sigils can be used both passively and actively, but most will fall into one category.

Spirit Sigils

Many spirits and deities have sigils that represent them and these can be powerful catalysts for interacting with these beings. If the spirit you're working with doesn't have a sigil made for them (or even if they do) you can design your own symbol to connect with that spirit. Follow the same process, but instead of focusing on your intent, focus on the spirit/deity and connecting with it. You can even perform a ritual and provide an offering to invite the spirit into your space. This will allow you to draw divine inspiration straight from the source. Here are some examples of spirit/deity sigils, as well as some I created:

[aphrodeiities]

ᴀꜱᴛʀᴏʟᴏɢʏ ᴏʙꜱᴇʀᴠᴀᴛɪᴏɴꜱ ᴛᴡᴇɴᴛʏ ᴛᴡᴏ

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these are observations i've made due to people i've been around and celebrity charts i have looked at x

♇ scorpio placements like to be praised for everything they've done.

♇ online personalities who have really loud personas usually have a sag placements, ex berleezy, trap celeb, oli london, ekane etc...

♇ during a solar return chart having a stellium or more than 4+ planets in your 1h means you will REALLY be in your head, might face a lot of mental challenges.

♇ people with beneficial planets in their 9h ex jupiter or venus, specifically, usually do okay within in education, like no matter how back they are, they always pass

♇ pisces placements can RAMBLE and talk for a long time without actually saying anything.

♇ pisces mars men, the worst. the ones i've come across usually don't know what they want. but pisces mars women >>>

♇ aries degrees, specifically the 13th degree could insinuate you could be the first person to do something. janice dickson has the 25th degree and she is known as the first supermodel, beverly johnson has the 1st degree and is known as the first black supermodel, eva is the first black woman to win america's next top model and she has the 13th degree.

♇ sagittarius placements... laughing and smiling for no reason...

♇ leo moons and having hair that grows fast. for example, my brother and my nephew are both leo moons and they can cut their hair and a month later it grows back to their shoulders. i believe this could apply to 5H moons.

♇ those who have their 12h ruler conj or positively aspect their moon do become famous, [moon rules over audience] ariana grande has moon conj venus and megan has moon conj mars. if there's a negative aspect, it is still a fame indicator, but they would like get their fame after, for example chapelle roan who has moon square mercury.

♇ a lot of cancer asc men are insecure. the ones i know pity themselves so much too.

♇ much sag sun women like to dance, could be sag in big 6 + jupiter as well

♇ a fixed sign specifically scorpio in the 11h is a strong indicator of having a big online platform. but the one that is stronger than that is having moon in the 11h, most people that have this placement or even cancer in the 11h told me that they have a big platform.

♇ people with saturn or lilith in the 7h might be put into uncomfortable situations with their friend and their friends s/o, like their s/o might always likes them.

♇ uranus in 3h people might like to make up languages? or learn new ones

♇ your jupiter persona chart can talk to you about your future spouse as jupiter is the main planet to look at when it comes to your wife/husband.

♇ nara smith has jupiter in cancer and her spouse is very domestic and traditional, he even helped her give birth to their newest child, whimsy lou.

♇ dove cameron has a gemini ascendant with the 12th degree [pisces degree] probably why people say she has so many faces, she also has a heavy 8h which points to she got many procedures, khloe kardashian has a gemini moon and is also said to have many faces, also have pluto in the 8h.

♇ scorpio placements really dont like it when you enter their room all the time.

♇ a lot of dhanistha moon women have upturned eyes, or like to wear eyelashes that give them that look.

♇ people who have moon in the 11h do friend-crush a lot.

♇ aries venuses are the type to hate the people they crush on, their feelings can be quick changing but it is still intense!

♇ the reason some virgo and cancer ascendants are normally confused with each other is because they both have cat faces.

♇ its funny that when jupiter in taurus was at its peak which is the 29th degree, chef-influencers became more known on social media.

♇ people with a strong sag+virgo combination could be obsessed with perfecting their future

♇ people with scorpio/aries in their chart are likely to become alcoholics.

♇ saturn in cancer natives are likely to be less submissive to men.

♇ people with moon in the 11h or have cancer in their 11h tend to have big followers online [can work if the ruler of your 11h is in cancer]

♇ the "rumours" are true, aries venuses do get disinterested pretty quickly.

♇ the 6H in astrology can tell you what kind of skills you have, for example, if you have a venusian ruled 6H [Libra, Taurus, Venus in 6H], you could be talented a makeup, fashion etc.

+ the kalogeras sisters have leo/sun influence in their chart and they're known for their curly hair, [leo rules the mane].

pluto

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[cheapshrimpysheep]

I'm Sorry I Left You Behind

SUMMARY: The Bead Brawl tournament ends and Leona, Kalim, Vil and Lilia run away leaving you, Grim and Jack behind. Later, they will realize that they hurt you by doing this to you and will apologize to you.

CHARACTERS: Kalim Al-Asim; Vil Schoenheit; Lilia Vanrouge

TAGS: Fluff; GN Reader; Comfort

WARNING: Spoilers from Cloudcalling on the Savanna (Sunset Savanna's Tamashina-Mina) and its respective cards.

WORD COUNT: An average of 640 words per character.

COMMENTS: At first, I was going to write scenarios for all the event cards, but as Leona's was so personal, it ended up inspiring me to write a lot. So I decided to let him have his solo post:

There's a Calm Surrender (Leona Kingscholar x Reader)

By the way, I was undecided whether to use the name Neji or Kifaji, so I used both. 😅

I hope you enjoy. 😘

CONTEXT: To escape from Cheka, Neji(Kifaji) and the palace guards who were with them, Leona rushed to the car to drive back to the hotel. Vil, Kalim and Lilia went with him. And you, Grim and Jack were left behind in the rain.

I mean, Leona wanted to escape and the car didn't have seats for everyone but... still... it made you a little sad. At least you had Jack who never left your side. Eventually, Cheka and Neji(Kifaji) reached you, after Leona and the others had already fled. Of course the first thing Neji(Kifaji) did was apologize for Leona's rudeness and offer to take you back to the hotel.

When you arrived at the hotel, you went to your room with the intention of showering and changing your clothes. But before you can do that, someone knocks on your door.

“[Y/N]! You won't believe the ride we took with Leona.” Kalim tells you, enthusiastically. “It was amazing! I’ve never been in a car that shook that hard! It was so heart-pounding...” He stops himself when he actually looks at you. “Ho! [Y/N] You're soaking wet! What-?” and then he remembers “HA! We left you behind in the rain! I'm so sorry! Do you need anything? I can go ask for more towels for you.”

You say it's not necessary, that you're fine, you just need to take a shower and change your clothes.

“I'm glad. Let me know when you're done, okay? I really want to tell you about the ride... And made up for leaving without you.”

You shower, put on your pajamas, and text Kalim that you’re ready. But then, seeing Grim sleeping and remembering that Kalim can talk loudly without realizing it, you send him another message asking if you could be the one to go to his room instead, so you can be more comfortable talking without worrying about waking Grim up. He says it is a great idea and that you're welcome in his room anytime. Plus: “But come quickly. I really want to talk and be with you.”

SUNSET VILLA - KALIM'S ROOM

Kalim opens the door for you. It shouldn't be a surprise to discover that he had a much fancier and more luxurious room than yours. He closes the door and takes both of your hands to take you with him to sit on the bed.

“I have lots of snacks, you can eat whatever you want.” he tells you with a smile and pointing to a large basket full of traditional snacks.

He excitedly tells you how crazy and fun the ride with Leona was. And about when Jamil finally found him. You wanted to be happy that he had so much fun, but you couldn't shake the thought that while all that was happening you had been left behind in the rain, as if it would be easy for them to forget about you. And it showed on your face.

“Hmm? What’s wrong? Don't you like the taste?” He asks as you were eating one of the snacks. “You can always leave it aside and choose another one, no problem.”

You say that's not it and your expression becomes sadder as you wonder if you should tell him what you were really thinking.

“Well, I can see you're sad. Can you tell me what's going on. Nothing would make me happier than seeing a smile back on your face.” He smiles innocently.

You decide to tell him and say how abandoned and forgotten you felt.

“Oh no! I'm so sorry for doing this to you! We didn't want to abandon you and we didn't forget you. Well... I mean... I think technically with all the adrenaline we forget... But it wasn't out of spite! We just...” he sighs “No, there is no excuse. We did you wrong. I should have stayed with you.” There is a short pause. “I know a hug isn't enough to fix things, but can I give you one?”

You let him and he wraps his arms around you. It's very comforting, you feel a strong but gentle hug, that meanwhile loosens without releasing you.

“Can you forgive me?” He asks in a soft and sad voice, close to your ear, still hugging you. “I promise I won't do it again. I’ll never leave you again.”

You gently ask about what he just said. He breaks the hug calmly to look at you, still with his hands on your arms.

“I really like you. I feel really bad knowing that I hurt you. I don't want to do that again. I want to see you happy and smiling and I want to share all the good and fun moments I have with you. So I will never leave you behind again. It's a promise!”

When you arrived at the hotel, you went to your room to shower and change your clothes, but before you enter the bathroom, you receive a message. It's from Vil.

“I heard that you have already arrived. I would like to talk with you. Take a shower and let me know when you're dressed.” You reply to him to confirm that you saw the message, and shortly he replies to you: “I stopped by your room earlier and left the soap soap packed with hot spring minerals I bought in your bathroom for you to use this. But it's just this once, then I'll take it back with me. So enjoy it, but don't spend too much.”

You do so. You not only feel more comfy but more relaxed. You put on your pajamas and text Vil that you're ready.

“Grim is sleeping, isn't he? I'd like to talk without worrying about waking him up. Could you come to my room?” You say that you can and that you are going there now. “Thank you, [Y/N]. I'll try not to steal too much of your rest time.”

SUNSET VILLA - VIL'S ROOM

You knock on Vil's room door saying it's you, and you hear his voice giving you permission to enter. You enter and see him sitting on the bed, leaning against the headboard with his legs stretched out on the bed and a bandage on one of his ankles with a bag of ice on top.

“There is no need to worry.” Vil tells you. “Personally, I think they are exaggerating a bit, but it wouldn’t be wise of me to refuse treatment.”

You close the door behind you and go to sit next to him on the bed. You look at his ankle again and sees that it and his foot are very swollen. You ask if it's really the doctors who are exaggerating or he who doesn't want to make a big deal of it.

He sighs. “Very well. I may have gone too far in hiding my injury and making it worse during the tournament. But now everything is under control. So please don't worry, okay?” He smiles to reassure you. “It is another subject I wanted to talk to you about.”

“And what is it?” You ask.

“I am sorry.” Vil’s words and look say.

“For what?”

“For leaving you behind and in the rain. I know it was Leona who ran away and left his guests behind, but I was one of those who went after him and got into the car. Which is equally rude and inelegant. You supported us the whole time and did what you could to help us and not be a burden and we treated you like one in the end, and for that I am deeply sorry. Did you arrive well at the hotel? Any symptoms of a cold?”

You answer no, that you arrived well, Neji(Kifaji) took it upon himself to guarantee that.

“I see. I must thank him, and apologize as well.” He smells the air. “Ah, you used the soap I left for you.” And you apologize for forgetting to bring it back. “It's okay. You can return it to me tomorrow. I can see that it's really good, the skin on your face looks beautifully healthy.” You smile thanking him. “You know, come to think of it, you can keep the soap. That skin matches that smile very well.” He smiles, and then laughs when he sees how flattered you got. “You should go back to bed now. It would be a shame to ruin the effects of your bath with a short night's rest.”

You agree and get up, but before leaving you notice his foot again and ask if he would like you to help him lie down.

“I told you you didn't need to worry. But thank you, I'll be fine.”

How silly, he was right. You rephrase the sentence: You WILL help him lie down.

“[Y/N], I already told you-” But you pretend you're not listening, and hold the bag of ice with one hand and his foot in the other. You look at him as a sign that he can settle in bed now. He sighs as he does so. “You are so stubborn. It's almost charming.”

“Almost?”

He laughs softly. “Stubbornness isn't charming most of the time, but... I think you can make it quite cute.”

You thank him for the compliment, and feeling bold, you lean in and kiss his forehead. “Good night, Vil.” As you start to straighten up, you feel a hand on your arm pulling you back. And he kisses your cheek.

“Good night, [Y/N].” he whispers with a smile. “And thank you.”

You arrive at the hotel and go to your room. You take a shower, put on your pajamas and when you're about to go to bed, you hear a light knock on the door. Grim groans and turns over, but doesn't wake up. You get closer to the door to ask who it is, but before you do it, you get your answer.

“It's the cute old me.” you hear Lilia's voice on the other side. You open the door. “Hi [Y/N]. Sorry to interrupt your rest, but I wanted to tell you something.” He says quietly. He leans to the side to see Grim sleeping behind you. “But maybe we should do it somewhere else. I don't want to wake Grim... again. In my room perhaps? I have some snacks.” he smiles invitingly.

SUNSET VILLA - LILIA'S ROOM

The two of you enter Lilia's room and he immediately grabs a bag full of snacks. He sits on the bed and invites you to sit next to him, with the bag between you.

“You can take whatever you want if you are hungry.” He says. You take one and it continues. “You didn't catch a cold, did you?”

You seem a little confused at first, but then you realize what he's referring to. You say no, and that you immediately took a hot bath when you arrived, but regardless of whether you tried to hide it or not, Lilia would immediately realize that you were sad about what happened.

“My deepest apologies.” he says regretfully. “I knew you wouldn't be in danger. You were with Jack and Neji(Kifaji) and the royal guards were sure to bring you back to the hotel safe and sound. That's how I usually see things at first. But... I didn't think about how that act could be interpreted. Running away for fun leaving you behind in the rain. Sounds like abandonment, doesn't it?”

You look away, with a sad expression that confirms what he said.

“That's why I wanted to talk to you. That was absolutely not my intention. I am quite knowledgeable about whether or not someone is at risk physically, but it seems like I'm still learning to understand the same emotionally. After all, what is no big deal for one person can be a very cruel act for another. I'm not saying you're too sensitive, but I think it depends on how much you like the person committing the act, right?”

He holds both your hands in his. “Your heart is your most wonderful quality. And as someone it can love, I should protect it better and not taking it for granted.” He kisses the back of your hands. “Could you forgive me for my mistake?”

If you would like to read more from me, you can find it in my pinned post: INDEX

[allfearstofallto]

PLS CAN YOU FEED US MORE hero of the nation knight!childe ON MY KNEES I LOVE YOUR WORK SO MUCH AND I SEARCHED EVERYWHERE FOR A FIC LIKE THIS

This took FOREVER to write, but here you go!!

Blessings Be to The Hero of the Nation

Historical AU

Yandere Hero of the Nation! Childe x Fem! Reader

TW: yandere themes, stalking, minor character death, blood, threatening, forced marriage/engagement

He kept one of your hair ribbons wrapped around the hilt of his sword. It billowed in the wind constantly and would draw watchful eyes to it. That pastel pink fabric didn't match a single thing on his brutish, usually bloody exterior, but he still kept it regardless. You tragically didn't give it to him in a blatant display of affection and well wishes for him on his journey, instead, he found the little ribbon after it'd blown off your head and up to the wind. A little pout formed on your lips realizing you'd lost it, but you decided against retrieving it. He didn't though. He picked it up and placed it in his pocket, taking it home to clean off the dirt and grime.

That same ribbon was clenched in his hands when he arrived at the gate of your manor, along with a few other gifts that he would give to you. He'd just slayed the dragon, the wretched menace that was terrorizing the nation, now and only now did he feel worthy to ask for your hand. Cleaning off all the blood and gore that was on his armor, polishing it into light metal that could blind anyone who looked directly at it, he was certain that this would charm you off of your feet.

When he was invited into your home by your parents who were surprised to see the hero himself at their door, he didn't care about the tea or the cakes. The praise meant nothing coming from them. He skipped the pleasantries and went straight to the point. He wanted your hand in marriage and he wanted the wedding to be soon.

A skittish expression crossed your father's face as he gritted his teeth, “We've decided to leave that decision up to her.” Childe smirked, that was even better. He'd never met a woman who wouldn't fall for his charms.

You were called down from your room, eyelids heavy and half open, still in your thin sleeping gown with a robe over it. You were rubbing the tiredness from your eyes as you walked down the stairs, your other delicate hand gripping the banister. And when you saw him, you bowed. A deep traditional bow, given to those of a respectable higher status.

He kneeled down on one knee before you. The male kneeled for only one person, the queen herself. His sword pulled from its sheath, he laid it flat against his palms, offering it up to you. That knocked the sleepiness from his body and suddenly your eyes were wide open. Genuine shock was making your body stiff as a board and you looked back and forth to your parents who didn't say a word.

“Your visage has danced around my heart non stop since the first time I laid eyes on you. I wish to use this sword only to fight for you. Won't you please do me the honor of becoming my wife?” Words spoken in honor, with him meaning every bit of it. You were meant to take the sword from his hands, tapping it gently upon each of his shoulders, but you didn't. You just stood there, lips trembling, but not saying anything.

A marriage proposal via a letter was easy to ignore or reject, you didn't have to see their reaction. But never had you had someone be so bold as to propose to you in person. And not only that, the very hero that saved the Kingdom. Rumors told you he'd be marrying the first princess, she obsessed over him before he became the hero and those feelings seemed to only grow stronger after he waltzed into the city with the bloody head of the beast. Yet here he was at your feet, patiently anticipating your answer which he was positive was going to be a yes.

“I-'' you began, trying to think of the easiest way to let him down gently, “I fear that I'm not ready for marriage yet.” You said hurriedly. That wasn’t entirely a lie. You spent countless hours looking at the list of marriage candidates and scoping them out at balls and parties, but quickly realizing that none of them suited your tastes in that way. The entire idea of being wed barely satisfied you. You wanted to push it off for as long as possible.

“I'm willing to wait for you until the world crumbles. I'd even accept being your fiance until the day we die, as long as I can say you're mine,” he was persistent, you'd give him that.

You fiddled with your fingers nervously. Time felt as if it had stopped and this moment would never end. No matter what you did, he was still going to be there, “I thought you were to be wed to her highness, the princess?” You questioned him.

A scoff fell from his cherry pink lips, eyes looking you up and down, drinking in every inch of your body in that thin nightgown, “She does not interest me. Not the way you do.”

“There is really nothing interesting about me,”

“Won't you let me be the judge of that?”

Your shoulders slumped as you looked to your parents. They seemed as surprised by his persistence as you did, but weren't going to step in to help you, they always affirmed that it was your decision, they wanted you to be independent.

“Forgive me, hero, but I can not accept your offer,”

For just a split second you saw that princely expression slip. His eyes grew dark, lips in a deep frown, a rage you'd never seen before. But he was back to his usual expression in less than a second, that charming smile forming on his lips again as he stood from his knees and sheathed his sword a little too slowly.

“You wound me, my lady,” he'd mutter softly, hands still conveniently tight around the hilt of this sword, “Won't you please accept my gifts? And if you are to begin considering marriage, I hope that my proposal will be remembered fondly.”

Childe showed himself out, a little too quickly, but you didn't dare tell him to slow down. It was only once he was out those large double doors, did the air in your home feel breathable, you finally felt safe again. You watched his carriage leave from a window, watching as his eyes went dull again, losing all shimmers and feeling like a hollow mimicry of what humans were supposed to look like.

You were quite embarrassed to say you fell in love after that. Not with Childe, of course. You mentally tried to push the man from your mind after the way he startled both you and your family. Instead, your feelings developed for a commoner boy. You found yourself eyeing him when he'd deliver produce to your home, his face being one of pure beauty despite his messy exterior. As months went by, you'd catch yourself stealing bashful glances at him, locking eyes only for both of you to look away shyly. When the engagement was announced, Childe was one of the first to hear about it.

You twirled around the house in your wedding dress. Something plain and basic, but it was what your family could afford, and quite honestly, you loved it. You didn't want to take it off. Your fear of getting it dirty lessened as the days went by, until the wedding was only a week away.

“A guest for you, my lady,” one of your maids had said. Typically, when the employees of the house saw you dressed in your white gown, they'd smile at you, overjoyed as well. But she didn't. She looked worried, even a bit tense as she made the announcement to you.

“I hadn't arranged to meet anyone today,” you said a bit quietly, going to you closer to pick out something to change into, “Please tell them to wait in the day room.”

She stood stiffly for a second, then opened her trembling mouth to speak again, “I tried to, my lady. But he insisted on seeing you right now. He's just outside the door,”

A part of you wanted to ask who it was, who would be so disrespectful as to barge right up to a lady's room without her permission. But you already knew. There was a sense of unease sinking into your stomach. Unease and recognition. All the gifts and letters he'd sent weren't enough, were they? The man you were ignoring just had to come see you in person.

“Let him in,” you told the maid. She seemed confused at the ease at which you allowed such a thing, but still opened the door, revealing Childe who stood still in the hallway. He stepped past her, eyes only trained on you, “You're dismissed,” you said quietly, with a reassuring smile to the maid. Hesitance danced across her face, looking back and forth between you Childe, but she still did as told, bowing before leaving.

“You look lovely,” he said breathlessly, taking in the sight of you in that pure white dress.

“Thank you,” was all you could think to say back. Now that he was here before you, your mind was growing blank, all the things you wanted to say suddenly getting lost in fear. You tried not to notice the tension in the room, the way he was eyeing you like a predator about to pounce on a rabbit, but even your tough exterior was easy to see through.

“My heart aches for you, my lady,” he speaks softly while taking slow steps towards you. The terror of this situation made you move backwards, until your feet had made you press your back against the wall, “I fear that my haste might've made me do something…irrational.”

His dominant hand seems focused on the sword at his hip, making you look at it. It was only when you saw the red speckles all over his hand, hilt of the sword, and the oddly familiar pink ribbon he kept tied around it, did that coppery smell fill your nostrils.

With a trembling voice and a fake smile, you tried to assure him, “Any mistake is fixable, Sir Childe.”

“Not this one,” his hand continued to hold the hilt of his sword, squeezing it a few times as of testing the weight of his blade, “Do you know the best part of being the hero? The dragon slayer?” He asked, waiting for your response which was just a slow, forced shake of your head, prompting him to continue, “It's not the riches or the praise. It's not even the women.” As he speaks, one of his hands slides down from your cheek, to your neck, to the bodice of your dress. Tearful eyes look down to see him smearing that red liquid, that blood onto you white dress, staining it.

“I don't understand,” you mumbled, but your words fall on deaf ears.

“The best part of being the hero, is the freedom to do what I want. With no prosecution. Who in their right mind would stand up to the man who saved our failing nation? The answer is no one. Not the king, nor his workers, and especially not your weak little fiance,”

The sight and smell of blood, Childe's deep, hollow blue eyes, the way your heart felt as if it wanted to lurch out of your mouth. All things you tried to focus on as his words pounded their way into your skull, understanding washing over you like a wave that was trying to drown you where you stood.

“Wh-what did you do?” Your voice, so high pitched and breaking as the weight of the words forced through your body.

His hand, cold, soft, wet with blood rubbed your cheek, while his face never faltered, those dead eyes never changing, he had no remorse. It made you sick to your stomach, images of your fiance flashing through your head as you tried to imagine what he looked like, the hopeful ones saying that he was at least still alive.

“I'm going to ask again, nicely this time,” he began while pulling a ring from his pocket. Much more intricate than the one your fiance had given you, seeing as he had the hero's budget. But that didn't make you feel any less light headed when it was slipped onto your ring finger, freezing cold against your warm skin, “Will you do me the honor of becoming my bride?”

[katakaluptastrophy]

What do the Fifth House actually do?

Sure, yes, ghosts and tradition and the Heart of the Emperor, and Watchers Over the River - but none of those things give you the kind of assets that mean you can dress your cavalier in a coat that "probably cost more than the Ninth House had in its coffers" for a dinner party.

It's made clear very early on that the Fifth are a power to be reckoned with. When they first receive the letter about the Lyctoral pilgrimage, Gideon assumes it would be on the Third or Fifth. Harrow, meanwhile, has frequently-repeated anxieties about the Ninth being subsumed by the Third or Fifth, to the point that she worries that the anniversary party invitation may be an attempt to wipe out the other Houses. Teacher describes the Fifth's relationship with the Fourth as "hegemonic". The Fifth loom so large in the cultural imagination, they even inform the name of the made up porn magazine that Gideon offers to Crux.

The links between the Third and the Fifth that both Gideon and Harrow make seem to reflect both the fact that these two Houses have particular power and influence, but also that they frequently cooperate. Judith writes about the close cooperation of the Second, Third, and Fifth, a relationship which becomes a source of tension as the scions seek to establish authority after the Fifth are murdered. Judith says:

“The Fifth are dead. I take authority for the Fifth. I say we need military intervention, and we need it right now. As the highest-ranked Cohort officer present, that decision falls to me.” “A Cohort captain,” said Naberius, “don’t rank higher than a Third official.” “I’m very much afraid that it does, Tern.” “Prince Tern, if you please,” said Ianthe.

Which makes it sound as though Abigail might technically have been considered the highest ranking person at Canaan House (likely because she was head of her House and not an heir in waiting like Judith or Coronabeth), and that following her death there is some question as to whether the Second or the Third should take control, but notably no suggestion that anyone else might.

We know what the Second do: they are the leaders of the Cohort and the Bureau, the military and intelligence that forms the core of imperial expansion. Most of the information that we get about the other Houses talks only about their cultural or ritual roles in the empire - we get very little in the way of gritty details of what happens outside of the Dominicus system.

We know a little bit about what the Third does - according to Tor they are cultural trendsetters and players in soft power, but the one detail we get in GTN itself is revealing: when Gideon imagines her glorious future in the Cohort, one of the assignments she considers boring is the prospect of being "in some foreign city babysitting some Third governor." Which makes it sound rather like the Second are conquering the planets and the Third are then running them. But the books are even lighter in details about what the Fifth do, beyond ghosts and manners.

However, there is one suggestive detail: an important topic in HTN is stele travel - the necromantic FTL used by the Nine Houses. And Mercymorn, in describing a stele, specifically states that Fifth House adepts are required for their construction. Which rather makes it sound like the Fifth have a monopoly on the manufacturer of the technology required for FTL travel. Now that in and of itself could be the basis of their enormous wealth - selling aerospace tech to an ever expansionist military is probably quite lucrative.

But there's another element of House imperialism that only gets mentioned in passing that doesn't seem to be entirely accounted for, which Judith describes in As Yet Unsent:

"Their other line of attack is the business contracts. They claim that the services asked of them by the Emperor were set down in lifetime contracts by previous generations, who assumed the contracts would be terminated upon the Emperor’s death."

There are obviously some unanswered questions about the imperialist project of the Nine Houses - both Augustine and Coronabeth question quite why it works the way it does - but from the above it sounds like in many respects it functions exactly as you would expect an empire to: as a vehicle for the exploitation of others' resources.

Perhaps the Cohort themselves administer these business contracts. Perhaps they fall under the purview of the Third House planetary governors. But if you're exporting resources from the living planets of your empire to the mostly desolate planets of the Dominicus system, you're going to need some FTL ships and a whole lot of bureaucracy.

And if there's one other detail that we get about the Fifth, it's that there is something significant about the political power of their bureaucracy. As Judith puts it: "Quinn himself is a Fifth House bureaucrat with all that entails."

Are the Second, Third, and Fifth so close and so powerful because they form the bedrock of the empire: the conquest, control, and exploitation of planets beyond the Dominicus system?